I started a new job a while back where, for the first time in many years, I am back to doing full time software engineering work that involves me writing code.  Frankly, I’m enjoying it.  I spent the first twenty years of my career writing code and the last ten leading and building teams of other people who write code.

When it was me doing the coding, my days tended to consist of a lot of private battles with logic and problem solving.  I felt mentally sharp and my brain felt alive with ideas and inspiration.  Then I pivoted to leadership and I enjoyed it quite a bit too but in a very different way.  I moved my attention from the very small details within a system, data and logic, up to the larger role that software development plays in the company and the world at large.  When I thought about my work it was about how to make the team better, how to make the product better, or how to improve the user experience for the customer, not about the algorithms, scalability, or testability of a particular function, method, object, or data structure.  I also focused on how to help other people become better developers, how to improve their interpersonal team dynamics, how to identify and hire great engineering talent, basically everything except the creation of software.  I was very good at that and I built some great teams and together we built some great products.  My technical role wasn’t gone entirely, I still provided high level architectural direction, reviewed and approved code changes, and even occasionally coded up a proof of concept for a new solution.  But, when it came to writing the tens of thousands of lines of code that make up a software product, I was strictly hands off.  I was a conductor, not a musician.

I missed coding sometimes because the two jobs are so radically different.  As a coder I spent my time in a cycle of code/compile/run/deploy/validate/repeat for most of any given day.  Sometimes I didn’t talk to another person for hours at a time.  As head of engineering I spent my time in meetings.  All. The Time.  Meetings with department heads, meetings with the CEO, 1 on 1 meetings with my direct reports, team meetings, scrum process meetings, design sessions.  When I wasn’t in meetings I was replying to emails.  And DMs.  And phone calls.  The job was all about communication and coordination and usually I was being looked to for the answers on any given question because I was The Man when it came to anything technology related.

After five years heading up engineering at the most recent company and also having a challenging period in my personal life outside of work, I decided that I needed a break from corporate life.  A little sabbatical.  I left the company, took a breather, and went shopping for another job.  I did not expect to end up where I am now, coding again.

Let me be clear here, there was initially a bit of “career path” snobbery on my part when this new opportunity came my way.  Hadn’t I outgrown the hands on stuff around the time Obama got elected?  The company I’m now working for is very small, a startup.  The entire company could comfortably fit in my living room.  They already have a very good CTO and don’t need two of them.  What they did need was a very senior and very skilled software engineer with a particular set of skills that just happen to align very well to my specialties.  Still, I said no, two times, when approached about the job.  I hadn’t done full time coding work in a very long time and it felt a little weird to think of going back to “my old job”, the one I had left behind over a decade ago.  But I agreed to meet with them and hear them out and they convinced me that this was, in fact, an amazing opportunity that actually fitted in perfectly with my career plans.  It might even be, dare I say, fun?  I just had to be willing to go back to my roots.

So, I took the job, surprising my wife and myself.  For two months now I have been waking up in the morning, picking up the days dev stories, and reacquainting myself with the world of the software engineer.  It’s oddly peaceful.  My wife has a job that entails a fair number of meetings every day and we both work from home so I often hear her calls taking place in the other room, in fact there is one going on right now, so I am reminded daily of the kind of job I have left behind and also reminded that this is a better fit for me where I am in my life right now.

Life is short and you need to be happy with who you are and how you spend your time.  A career takes up a massive amount of your time.  It’s no wonder that so many people come to identify themselves with their work.  “I’m Bob, I’m a banker.”  “I’m Regina, I’m a dental technician.”  I don’t self-identify with my technical career all that much.  I am unlikely in introduce myself by saying “I’m Ryan, I’m a software engineering leader.”  I’m much more likely to say “I’m Ryan, I’m a musician and writer.” if I am going to relate to a particular profession or career.

Maybe it’s because I have always seen myself as having multiple simultaneous careers?  The career that has made me the most money over the years is my career in software engineering.  The career that has had the most personal impact on my life and left the largest legacy in it’s wake is my career as a musician, recording artist, indie filmmaker, and record label entrepreneur.  The career I have been the least commercially “successful” at but that I find the most fulfilling on a daily basis is my career as a writer.

As I was writing that paragraph I found myself thinking that it’s perhaps the first time I’ve ever put it that way to myself.  I have three careers.  Well shoot.  That’s a lot.  No wonder I’m always so busy.  But it’s true though.  The dictionary defines a career as “an occupation undertaken for a significant period of a person’s life and with opportunities for progress”.  That definition applies to each of those areas of work that I engage in.  They sure aren’t hobbies.  A hobby is “an activity done regularly in one’s leisure time for pleasure”.  I enjoy building model cars, for me that is a hobby.  The same can be said for fishing, reading or playing video games.  These are all hobbies of mine.  Tinkering with old cars.  Woodworking.  Hobbies.  That’s not how I approach my careers.  I may pursue aspects of them in my leisure time for pleasure but on the whole they are a lot more involved than that.

When I look at it that way then the pivot in my technology career away from one kind of work and back to another kind of work (and whether or not that was the right move for that career) doesn’t seem like a particularly big deal.  At the end of the day I’ve only ever had one goal in my technology career and that is money.  I don’t do software engineering because of personal fulfillment, or social impact, or enjoyment, it’s just for the money.  I don’t even actually like money.  I wish I didn’t need money.  I think money is a pain in the ass.  But I live in a capitalist society and money is required so, there you are.  Since I never wanted to climb a corporate ladder and my sense of self-esteem and self-worth has never derived from my technology career or any particular job I have held in that career, the specific role I’m filling isn’t all that important as long as it works for the financial aspect of life, and this does.  In fact, moving back to a non-leadership position in my tech career has already had the effect of improving my mental capacity for my other two careers.  I’m getting creative again.

The time spent in leadership work does not support a creative lifestyle.  It is work where you say so much all day that when the time comes to try to say something in a song or prose you are just empty.  You are tired.  The only thing that comes out is hot air.  I’ve struggled mightily to pursue my creative career paths over the last decade since I made that pivot in the tech career path and became a leader.  I never liked the trade off.  I don’t think the trade off was worth it, in retrospect.  The core skills required to do leadership and the core skills required to do creative work are at odds with one another.  Leadership involves a lack of focus, the ability to flit from one thing to another, a sort of constant shifting from one thing to another.  Your brain gets used to taking in information in short bursts and every day brings a new series of distractions, discussions, and decisions.  Creative work requires focused periods of heads down concentration.  The escape from distractions and interruptions.  Freedom to disappear into a flow state for hours or days at a time.  It’s the polar opposite of being an information and people manager.  To spend 8-12 hours a day being in the “leadership” mindset and then attempt to pivot to a creative flow state on the evenings and weekends is an incredibly difficult trick to pull off and every time I managed to do so I would feel so good but then I would find that work would intrude the next day and before I knew it I would go two or three more months before I found that mental state again.  I was never able to build any sort of creative momentum because every time I found a flow state it I was back at square one.

I’m still recovering from the leadership experience, to be honest.  For the last few months I have been focused on rebuilding a creative lifestyle supported by my tech career along the lines of how it was for the first 10-15 years of my adulthood and it feels really good but I can tell it’s going to take me a while to get back to having creative momentum on projects again.  Regaining the capacity for extended focused work is one of my main missions in life right now.  I want to be able to go down into the studio and create for 6-10 hours without falling asleep or producing empty crap.  I want to be able to actually make progress on larger projects like albums, films, and books.  I need to rebuild my ability to dig in, stay in a flow state, and make things happen.  Writing software is exceptionally helpful in this regard.  It requires that state.  Give me a couple of more months and I’m going to be a new (old) man.

This was definitely the right decision.

The post Steve Jobs era of Apple has been hard on me.  I was such an Apple fanboi that I had friends who called me iRyan.  I used Macs to design and print the inserts and labels to make the first Nuclear Gopher albums when I was a teenager.  I bought the very first iMac the day it came out.  For years I blogged using a vintage Powerbook 170, the perfect portable writing machine.  I owned each of the first seven generations of iPhone and multiple iPods and iPads.  When they stopped making products that I found appealing, I didn’t really know what to do about it because I didn’t like the alternatives all that much either.  The iPhone went first, I moved to Android when they ditched the headphone jack and I still have no regrets on that score but, frankly, I despise smartphones in general so that wasn’t a very painful switch and I still prefer a phone with expandable storage and a corded headphone option and I will keep buying those as long as they are available.

The real problem was my beloved Mac and the fact that Apple let it languish as an afterthought for a decade starting around 2012.  Zero innovations.  Nothing.  They didn’t even try.  Touch UI?  Nope.  Convertible form factor?  Nope.  Reasonable minimums of RAM or SSD?  Not on your life and screw you for asking.  When they did make changes, they were generally for the worst, not the better.  Removing features and ports and wrecking perfectly good keyboards.  I’m not the only one who felt this way (https://www.wired.com/story/macbook-pro-ports-magsafe-design/). When the time came to replace my MacBook Pro as a daily driver, I looked around and found that a Lenovo Yoga was my best available option.  Thinner, lighter, faster, cheaper, better, and it even switched from laptop to tablet.  My first purchase of a Windows laptop in over 20 years.  I still love that machine.

When Apple announced the switch to making their own proprietary silicon I was a naysayer because it seemed to me that the strategy of Mac marginalization was reaching it’s ultimate end game.  The Mac would be a closed platform with a proprietary chip, limited to an App Store like the other Apple devices, not a proper computer for creative types but rather a “device” without the freedom that differentiates a proper computing platform from a device. I saw the transition to making their own chips from a cynical perspective and I.  Was.  Wrong.

The reason Apple went this direction wasn’t to sideline the Mac, it was to inject new life into it by giving it a performance lead that will be practically impossible for anybody else to catch up to any time soon.  I figured on Apple chips being roughly equivalent to Intel chips but proprietary.  It seemed to be the only way Apple could wring more money out of their ecosystem, find ways to profit more from their existing fanbase by closing the system off.  I just didn’t count on the fact that Apple had gotten so good at making high-performing low power chips that the Mac would become the market performance leader to an extent that it will shake the entire industry.

Apple didn’t just make a proprietary chip, they made one that outperforms everything else out there in terms of performance-per-watt.  The Apple M chips aren’t simply proprietary, they are spectacularly fast and they use very little power.  I am writing this on an M1 Pro Mac, it’s 9:36 PM, I have been using the machine since 8:00 this morning without plugging it in and it’s still got hours of battery life remaining.  That’s a genuinely new thing.  I’ve never spent an entire day working on a machine without plugging it in and still had power to spare.  And it’s not as if it’s like my e-book reader, low power consumption equaling low speed.  This is the fastest computer in the house by the GeekBench tests I ran.  I put this up against my Ryzen 7 powered gaming PC and it outperformed it easily.

At the end of it all, Apple was let down by Intel and that would have kept the Mac in the doldrums for many years to come.  Rather than attempt to innovate on color, form factor, etc. or risk cannibalizing iPad sales by incorporating touch into the Mac (the very things I wished that they would do), they chose to invest heavily in becoming the world’s leading chip maker via iPad and iPhone development, let the Mac collect dust over in the corner and then, when it was clear that they could make processors that were better than anything anybody else was making, move the Mac to the new architecture.  That was a long and, to me, annoying process as a Mac fan but suddenly the Mac is Back.

The new lineup of M3 Macs are the first machines in 10 years that have got my attention.  They are no longer constrained by meager RAM, they default to 1TB of internal storage (FINALLY), they have all the connections a person could want (MagSafe, an SD card slot, a headphone jack, no more dongles, it’s 2012 all over again…), they run forever without even needing to be plugged in, and they are the fastest laptops money can buy, period.  No, they don’t have touch but they also don’t have the stupid Touchbar.  No, they are not upgradeable but my 10 year old MBP tells me that I should be able to expect a seriously long useful life for a machine this powerful.  Yes, they are the exact same form factor they have been forever but so are televisions, maybe that’s just what a laptop should be, I dunno.  The convertible IS cooler but…  So, point is, they haven’t exactly re-invented the laptop, it’s more a reversion to what was working before they went off the rails but wayyyyyy more powerful.  If you want a laptop to do video editing, audio production, software development, and writing (the things I do on a regular basis), they are suddenly the best option again for the first time in a decade.  The keyboard doesn’t even suck anymore.  I did not see that coming but boy am I happy about it.

They are not limited to the App Store as I had feared either.  The M-Macs are the first actual professional grade machines Apple has made in so so so long…  I’m late coming to this confession not out of pride, no, I’m happy to be proven wrong, but because I had to use one for a while to see the difference.

I didn’t sit out the last 10 years of Apple machines.  I have been using them for work this whole time and I have continued to use my trusty 2012 MacBook Pro as well.  The laptop I was using when I left my last job was one of the final Intel-powered MBP laptops and it was…  fine.  I swapped out a Thinkpad for it and it, you know, worked and stuff.  Wasn’t noticeably faster or better, just ran macOS instead of Windows.  Yawn.  But a few weeks back I started using an M1 Pro for work and I’m like..  Ahhhhh.  I see.  The penny has dropped.  I am convert.

I’m slow sometimes.

As a software developer person I think it’s absolutely vital for Apple to have a pro level laptop again because they have the Vision Pro headset platform coming out and these are the machines that will be used by geeks like me to write software for that platform.  It wouldn’t have been possible with Yet Another Intel Laptop.  They needed something different and the ARM-powered M-chips are apparently the thing.

So, while I do actually love my foldable Yoga machine with the touchscreen and all that, I will be returning to the Mac as my daily driver.  Not yet, not today, but probably with the next revision.  The M4 or whatever.  I’m looking forward to it.  (I’m still sticking with Android though until they bring out an iPhone with an SD card slot and a headphone jack.)

As a side note…  The reason I think these machines will shake up the industry is not simply that they are very fast or that they use RISC processors.  That was true back when the PowerMacs roamed the earth.  Those were non-Intel compatible, RISC-based, and very fast for their time.  No, the reason is because of ARM.  The Apple M-chips are based on the Acorn RISC Machine (ARM) chip architecture.  So are the iPhones, iPads, and also most of the devices you own including Chromebooks and all those Android phones.  It’s already the case that ARM chips power most of the mobile computing world, people just don’t think about it much.  ARM is an alternative chip instruction set to the Intel X86 instruction set and all you really need to know is that Intel is kinda screwed here.  The performance-per-watt of these Macs is suddenly causing everybody to want to move from Intel to ARM and thanks to years of mobile devices being based on ARM, there isn’t really anything stopping the transition.  Windows will be running on ARM-powered machines too and, presumably, the Apple head start in this space won’t last forever but it’s a helluva head start.  Windows machines with ARM chips will appear that will be just as fast and powerful as the Macs but it will take some time.  This is going to be one of those big sea changes in the industry that happen every now and then but it’s going to sneak up on people in general.  I don’t think a lot of people saw “everybody moving to ARM processors” on their computer industry bingo cards but the fact is that it just makes sense.  This is the way to make chips that are very very fast and very very power efficient and it’s technology that is proven and easy to license.  Anybody can make an ARM chip and almost everybody does.  Now Apple has shown just how powerful those chips can be and it will be hard to defend the old architecture when it’s last advantage, performance, is gone.

I’m just glad there is finally a Mac worthy of the lineage back on the market and it’s just in time for all the creative endeavors I have in mind with the return of Nuclear Gopher.  Awesome.

I am a firm believer in doing the work required to maintain mental plasticity and for me this means writing.

I don’t have much of a publishing track record, I will admit.  My only commercially published writing was over 20 years ago and was related to technical topics.  My personal journal entries from the 2002-2006 period, covering the time period in which I lost my religious faith, have been available as a free Creative-Commons licensed e-book for years over on archive.org, but that’s about it.  Most of my writing never leaves the confines of my personal journal.

And that’s OK.  Writing is a joy.  It is a tool.  It is a way to explore inner space.  I’ve been a writer for almost as long as I’ve been a reader, the vast majority of my time spent on this earth.

The two forms of writing that I share with the world most often and most effectively are blog entries such as this one and songs that I write.  Both of these public forms of writing stem from my personal writing practice which I learned by reading books by writer and teacher Natalie Goldberg.  The two books that sparked my interest in writing practice were “Writing Down The Bones” and “Wild Mind: Living the Writer’s Life”.  I’ve since had the pleasure of meeting Natalie and thanking her for the massive impact those two books have had on my creative, personal, and professional life.

The writing practice that Natalie teaches approaches writing in a similar way as one might approach running.  You don’t sit and wait for the running bug to strike you, you just pick a time and go to it.  Do the thing for a predetermined time with regularity and let the action of doing the thing change you.  Writing can be like that.  You can just decide that you are going to write, set a timer, cut out distractions, and do it.  Don’t worry about what you think you want to say, just keep words coming until they figure themselves out.  If you make the space for things to be said, you will find that you have things to say.

I adopted this practice, timed writing sessions with no set goal other than being in the moment making words, when I was a teenager.  I have used this practice to write novels, stories, poems, journal entries, blog posts, and song lyrics.  I usually don’t know what I am going to write about before I get started.  I just choose my weapons (computer, fountain pen, typewriter, pencil, what have you…), set a timer, and go at it.  I like using technologies that make editing difficult because it makes me have to be more present in my writing if I can’t just backspace and correct.  Autocorrect of all types is absolutely banned from my writing outside of a business context.

I highly recommend this practice to everybody who is human and capable of recording words via media.  It’s good for you.  It’s good for your mind.

I’m starting to think about finally turning to some of the long dreamt of long form writing projects I have fiddled with over the years.  Getting a proper novel done, writing a memoir, cranking out a couple of the screenplays I have in mind.  I have thought of myself as a writer for ages, I have fairly good proficiency with the essay/blog format and  with songwriting.  I am looking forward to branching out and leveling up my writing game.

The one thing I find is consistently challenging for me is maintaining momentum on larger writing projects over time.  The memoir project, for example, has been nothing but a series of fits and starts for about 10 years.  I’ve written and rewritten and rewritten portions of it so many times.  I don’t even remember what I wrote most of the time, to be honest.  I’m currently reading a book called It’s All Right Now by Charles Chadwick.  The book is a fictional memoir of around 700-ish pages in which not a lot happens and the narrator is not a very interesting person and yet the book is lovely and I am enjoying reading it.

The thing I connect to about the main character, Tom Ripple, is that he just keeps plugging away at writing the record of his life and occasionally, as his perspective changes and time passes, he is tempted to go back and rewrite earlier sections with the benefit of hindsight.  It’s a wonder that anybody ever finishes any sort of memoir given the way life continues to evolve and casts new shadows on old memories but the thing is, if you take writing seriously and just go at it, like the character in this book, you have to make decisions on what to keep, what to throw, what to highlight, what to leave unsaid, when to rewrite and when to leave good enough alone.

This is a lesson I need to internalize in order to write a memoir.  I need to combine the timed, disciplined, focused writing sessions with some ground rules about not revisiting, not rewriting, not revising…  at least not until a complete first draft exists.

So, that’s my new plan with my writing.  I am going to get intentional.  I am going to continue to blog, I am going to continue to write songs, I will obviously continue personal journaling, but I am also going to learn to work on longer projects.  I’ve been writing a lot for a very long time.  I crank out thousands of words that nobody reads every week, sometimes daily.  I think I’m ready to become a memoirist and novelist.  Why not?

Today I awoke to learn that the funding goal set to launch “Witness Underground” out into the world was reached, two days ahead of schedule.  Not quite under the wire but not exactly a chip shot either.

I will be honest here, I really dislike crowdfunding as a concept, I think social media is a social toxin, and I did not enjoy the actual process.  I really stressed Scott out with my own stress about the process and I feel bad about that.  The whole thing was well out of my personal comfort zone.  That said, there was one upside to the whole thing and that was the amazing coalescence of a community of supporters, well-wishers, and fellow travelers.

Amazing people, big hearts, incredible talents, I am humbled by the support, the enthusiasm, and the love being shown on the Discord server, on social media, in appreciative emails, on video calls, it’s stunning.

I’m speechless.

Decades ago my brother and I started something that grew into something else.  Eighteen years ago I lost it.  And him.  I tried to make peace with those losses.  I went to therapy.  I started a new life.  I wrote hundreds of thousands of words.  I meditated.  I recorded music.  I cried and screamed and tried to figure out what I was going to do with the rest of my life and then this movie happened.  These people happened.  Thanks to this movie and the community of people who have responded to it, a future I never allowed myself to dream could be possible.  I keep waking up in shocked disbelief, like this isn’t happening, can’t be happening.  Nobody gets a second chance like this.

Life doesn’t work that way.

And yet, thanks to a whole bunch of incredible, kind, thoughtful, and supportive people, here we are.

Thank you, everybody.  Thank you so incredibly much.  I’m not good at showing my gratitude but I have more of it than I know what to do with.

People occasionally ask me about how Nuclear Gopher happened.  There is sometimes a sort of wonder that even though Rhett and I were two nice Jehovah’s Witness kids from the neighborhood we started this crazy experimental band and then an underground record label.  The assumption seems to be that we must have been rebels or trying to stir things up or “be worldly”, in Witness lingo.  Honestly, though, this couldn’t be further from the truth.

Nuclear Gopher has deep roots that go back to before I was even born and one thing led to another and another until that seemed like a natural outcome.  I usually tell people that music is the family business.  Here’s a bit about that, with some multimedia accompaniment.

I can trace the family business back at least as far as our maternal grandparents, Joseph and Ethelwynn (Hineline) Brunette.

My Grandparents
My grandparents, Joseph Brunette and Ethelwynn (Hineline) Brunette

That’s them in the pic, below is the two of them singing a beautiful rendition of the song “Drifting and Dreaming”.  Give it a listen.  It’s gorgeous.

The Brunette Family
The Brunette family, the early years. My mom hadn’t come along yet.

The Brunette clan was a big, boisterous, musically gifted, Catholic family with thirteen children, of whom my mom was the tenth in line.  Grandpa Brunette played guitar and sang, Grandma played the banjo and sang, and all the kids were taught to sing at an early age, often into a microphone connected to a reel-to-reel tape recorder and sometimes they even sang on local radio programs.  It was one of the main family past times and that’s how our mom spent her childhood.

Here’s a 1956 radio appearance by The Brunette Children singing “Gonna Get Along Without You” and “Ringo Rango”:

Mom experienced two major tragedies when she was young.  First, she lost her father when she was only nine years old.  Then, when she was eighteen, she lost her then fifteen year old brother Jerry in a car accident.  Those two loses made a major mark on her.

Jerry Brunette
Jerry Brunette

Mom was a shy girl, very pretty, and a helluva singer.  In another life she could have been Cher.  But she told me many times that she had always felt lost, like she was adrift in life, never given a chance to properly grow up.  She got married almost immediately out of high school and became a mother to my brother Rhett not long after.  When I was born fourteen months later my mom had just had her twentieth birthday.  That’s a lot for a young person to live through.  I think about how she must have felt, only twenty years old and already a mother of two, married to a man she hadn’t known for long, still mourning her brother and father… It makes sense to me that the message of the Jehovah’s Witnesses appealed to her at that time.  I can understand why she listened when her neighbor told her about the last days and an interpretation of the Bible that was entirely new to her Catholic trained mind.  I can likewise understand why she clung to music.  That was her lifeline, her connection to her past.  To quote my dear friend Cindy Elvendahl, music was her savior.

My mom’s senior photo

She and her brother Rick had formed a band called Special Export.  It was a cover band, they played at supper clubs and parties and wedding receptions.  Over the years the band went through various iterations, name changes, and phases, but it was always there when Rhett and I were growing up.  Even as Rhett and I (and later Reed and Robbie) were being taken to meetings at the Kingdom Hall and raised as Witnesses, we also attended band practices and gigs.  Mom was always the star of the show.  She didn’t play any instruments but she was this glamorous lead singer and people were always so impressed by her voice and, man, it was like living with a celebrity.  Of COURSE we wanted to do it too.

Here is mom with her gold microphone singing “Girl From Ipanema” in the late 80’s.

It’s hard to remember a time in my life, even as early as four years old, where Rhett and I weren’t trying to make music.  We had a record player and a bunch of hand me down albums and we sang along to The Beatles and Barry Manilow and Grand Funk Railroad until we were sent to bed.  We pretended to be rock stars, we drummed with pencils on the furniture, we planned gigs and put on little shows for any audience we could find, neighbors, our parents, or the other kids in the home daycare that mom ran for extra money.  I have a sign hanging in the Nuclear Gopher studio from a “concert” we put on as The Rockboys when I was six years old.

The Rockboys Show Poster
Our first show poster.

Rhett started sitting in on drums with mom’s band at paid gigs when he was 7.  I bought my first electric guitar at 12.  Like I said, the roots run deep.  And a little “derp”.

Rhett was so good at drums at such an early age that he attracted the attention of a group of young adults from a nearby congregation who, like my mom, were forming a cover band to play weddings and the like.  The others in the band were all in their 20’s but they brought the little 12 year old drummer into the group because he was really really really really good and he could also sing.

Rhett gets a present from his Hubcaps and Hearts bandmates

It was a 50’s band called Hubcaps and Hearts and when Rhett joined, they decided to use the Sutter home as their practice space.  This was great because we had a room in the basement that we had been using as our “music room” ever since The Rockboys.  There had been a drum set in there for five years but suddenly there was more.  Guitars, amps, microphones, keyboards, speakers, it was real gear, gear we could never have afforded, and it was just sitting there most of the time.  Of COURSE we recorded music with it.  That had been one of our primary hobbies for years and now we could try to do it on another level.

Rhett, Reed, and I were calling ourselves ROW at the time.  We always had a penchant for picking band names that were people pronounced wrong and in this case ROW was supposed to be like the British word for a fight not like something you do with an oar in a boat but I digress.  The sudden access to equipment caused the three of us to record our first album as ROW which we called “Terror Again” and it was a blast but Rhett and I struggled a bit with Reed.

“Waldo Koterman” by ROW

It wasn’t Reed’s fault, he is a brilliant and amazing person, an awesome kid brother, and he later became a spectacular musical recording artist but at the time I was 12, Rhett was 13, but Reed was only 9 and he didn’t know how to play any instruments.  Rather than wait for him to catch up, Rhett and I chose to start a new band with just the two of us.  We called ourselves The Lavone (another pronunciation problem for most people, it’s meant to be pronounced like “love own” but people usually pronounce it “love on”, whatever…) and that was the fateful moment.  The Lavone started in 1986 and was never officially “broken up” although our last recording session was in 2003 and Rhett died in 2005, ending it for good.

How it started:

The Lavone, 1986

“My Adventure Flowerland” – 1986

…  and how it ended up:

The Lavone’s final show, 2000

“Blues Around My Soul” – 2000

Nuclear Gopher exists because The Lavone existed.  The Lavone existed because of mom, and grandpa, and ROW, and The Rockboys, and Hubcaps and Hearts, and me and Rhett sharing a bedroom and a brain, and all of that stuff that came before.

For the first three years of The Lavone we made albums and in early 1989 I recorded a song called The Gay Laughter of Nuclear Gophers, a title I found written on a slip of paper while cleaning my bedroom one day.  I vaguely remember waking up from a dream and scribbling it down in the middle of the night but I don’t remember the dream.  It randomly happened to be the most recent song I had recorded before Rhett and I bought our first 4-track recorder so the words “Nuclear Gopher” were fresh in our minds when we christened our studio and the label just stuck after that.

It’s not a particularly great song.  It was just this sort of  guitar experiment that I recorded.  The idea was to use a brass slide in a sort of bowing technique to create an ambient soundscape and various forms of tapping to make something synthesizer-esque using only a guitar.  In case you want to here it, here it is, “The Gay Laughter of Nuclear Gophers” by The Lavone from January of 1989, the accidental namesake of the whole kit and kaboodle.

So, there you go.  Nuclear Gopher was born not as an act of rebellion but as a fairly innocent outgrowth of an innate passion for making music that we got from our mother, who got it from her parents.  We recorded our music because we made it.  We labelled it because it was fun to do so.  It wasn’t until we grew up that it ever occurred to us that it might be unusual to do this inside of our religion but even then, so what?  Unusual doesn’t mean wrong.  When I think of Nuclear Gopher I think of something born out of sharing something I love with people I love.  That was the origin and that’s still the point.

I may not have been born yet when the late, great, Buddy Miles sang about Them Changes but I like to think I know what he was singing about.  Change is all there is, nothing ever really stays the same, not exactly, even in the most humdrum and repetitive phases of our lives.  Even though this is true and all things are always in flux, it’s very easy as a passenger through linear time to see certain events and choices, times and seasons, as if they are the starts and ends of chapters in a book.  A birth, a death, a move to a new home, a new city, a change in career, the end of a relationship or start of a romance, these are the easy markers, the ones that have dates and names attached.  Most of our lives, however, are lived in the interstices between those big changes.  

That is all as it should be.  Major changes are exhausting and (typically) somewhat rare.  We see them as major because they alter the day to day reality of our lives in some sort of on-going way and if that were happening every day or week or month I don’t know how I’d survive it.  You have to have at least a few days here or there to stop and read a book and eat a sandwich in peace, right?

The last phase/chapter of my life has been a bit of a mixed bag.  As I’ve written here before, I have floundered creatively, struggled to find my mojo, wrestled with a lot of self-doubt and a lack of ambition about the future.  The Trump era and the pandemic were not uniquely hard on me, I know that, but they came at an inopportune time in my life and more than once I found myself on the ropes, psychologically.  But hey, I’m still here, I’m still happening.

And that’s what I want to say today.  I’m still here and I’ve got irons in the fire again and it feels good.

One way to create change when I feel like I am mired down is to make a physical change to the environment.  So, several weeks back, I decided the time had come to create the workspace for the next phase of things.  I emptied out my basement studio, and went at it with a crowbar, popping floor tiles left and right.  Picked out some new paint colors (goodbye white, hello copper and blue), and started intentionally designing the new space.  I wanted the space to be a multi-use space which could be easily configured for home office, VR/gaming, recording sessions, video shoots, or as a home movie theater.  It’s a large space, 400+ square feet, with a small kitchenette area, so it can accommodate a lot of flexibility.  I decided that a hardwood floor would be important (bought cheap at online auction) and also decided that every major piece of furniture in the space needed to be on wheels (I have learned much about casters over the last month) or at least sliders.  

The room is absolutely coming together.  The majority of the hardwood is installed, the walls are painted, the A/V setup is progressing, there is a fantastic new desk/workspace, I’ve got a huge room divider curtain wall, smart lighting, new cabinets in the kitchenette area, it’s turning into quite the setup.  Watched some movies down there last night and it’s absolutely epic.  I have a bit of work ahead of me still, quite a bit, but I’m motivated by the release of the new album, the relaunch of Nuclear Gopher as a label, and a number of related plans I’m not ready to talk about here yet.  The space is taking longer to come together than I had hoped but it is already pretty dang usable and looking great.  Recording sessions will be commencing this month.  

As I’ve been spending evenings and weekends renovating and reconfiguring, divesting myself of old furniture and items that no longer serve any purpose, I’ve begun to feel a bit of my old self.  One of my favorite sayings, usually credited to Alan Kay of Xerox PARC fame, is “The best way to predict the future is to invent it.”  I know the kind of future I want to inhabit.  I know that I feel good in the present when I spend time creating changes.  I know that our actions can create our feelings as directly as our feelings can spur us to actions.  Working a plan to change my life into the life I want to be living doesn’t have to involve some dramatic gesture or massive disruption.  It can start by writing some things, installing a floor, drawing some sketches of future ideas, getting a bit dirty and sweaty, digging in, building a wall a brick at a time.  There is no guarantee that my ideas will succeed or that the changes I am working on will bring wealth, joy, and inner satisfaction, but it feels right to be doing something.  I’m instigating a series of changes, moving into a transitional state to some new things, and I am more capable, more intentional, and more mindful about this than I have ever been at any previous stage in my life.  

I often say that “hope” is a four letter word (I am the writer of Pessimist Song, after all), so I’m not going to pin any hopes on this next phase.  Let’s just say instead that I am excited to get on the next ride in the amusement park, see what thrills it has in store for me.  Renovating a room is just a project, but it represents an investment in a future I want to create in which I DO create.  From that perspective, it’s vitally important and every piece of flooring I install takes me one step closer to that reality.  I have a future to invent.

The hardest part about losing my religion wasn’t unlearning the teachings. Doing study and research enough to replace the baseless fantasies I had believed in with reality-based information was intense, sure, but I love learning and I enjoyed the thrill of discovery. Who doesn’t get a kick out of the mental buzz you get when you graduate from the childish simplicity of seeing the sky as a sort blue bowl over your head to understanding how light is being refracted and diffused through the atmosphere to create the illusion?

No, the hard part was losing a sense of meaning and purpose. To be a believer was to belong somewhere and to know, really firmly and truly know, where you fit in, the meaning of life, the universe, and everything. I think I knew that this would be a problem long before I ever lost my faith because I had seen other people who had lost their faith who seemed to struggle with being happy. The sense of belonging to a higher calling, doing something universally important with one’s life, that’s something you can’t just casually replace. In the world of my particular faith tradition, the Jehovah’s Witnesses, it is perhaps one of the more extreme experiences of loss in Western Christian culture. It is possible to leave as I did, because you no longer believe the teachings, and you will experience the complete loss of family, community, and purpose in life and it is also possible to be expelled from the community via disfellowshipping, in which case you experience the complete loss of family and community but if you still believe, and many do, you get to at least retain the idea that you have a higher purpose. You just suffer with feelings of shame and guilt and anxiety until they let you back in.

In either case, the sense of having a direction in life on a daily basis, of knowing where you fit, is disrupted, brutally and violently.

The first three years after my loss of faith were the most transformative. There was a lot of study and learning and writing and change. I grew a beard and started doing meditation and wrote a lot of music and centered my life on the one thing that I knew mattered more than anything, the one true north… my son. Maybe I didn’t know the meaning of life anymore, but I knew that my boy and I were family and that I was responsible for being the best dad to him that I could be. This anchored me in a way that nothing else did. Then I met and married my wife and the three of us became my purpose in life. I may not have been clear on whether or not the universe was intentionally created by an invisible person who wants to talk to me in my head but I was very very crystal clear about the child and the woman who lived in my house, who shared their welfare with my own, and who I loved.

But purpose is a tricky thing. Life changes, times go by, and purpose sometimes changes shape. My son grew up, he moved out of the house, my core purpose in life, my core identity of Dad, was no longer the obvious reason for getting up in the morning, going to work, brushing my teeth, and bringing home the bacon. I found that my interest in creativity waned, which surprised me because it was such a huge part of my self-identity and I had thought that being creative was it’s own purpose in life. I had thought it was my core purpose, but I learned that it was actually something else and that the lose of a sense of purpose had a detrimental effect on my creative output.

When I was one of Jehovah’s Witnesses and making music in The Lavone with my brother Rhett, organizing and promoting various bands and albums via the Nuclear Gopher, building websites and making movies, the activities served at least three purposes. First, I had a personal creative outlet for my thoughts and feelings. Second, I had a sense that my creative/entrepreneurial activities were allowing people I loved to do things that they loved while staying faithful to Jehovah. Third, I found that my Nuclear Gopher activities were a testbed of learning that had the practical benefit of advancing my technical skills and advancing my more mundane (but financially stable) career as a software developer and therefore helped me take care of my kid and myself.

Take the religion and the child-rearing out of the equation and I was left with far less “cosmic purpose”. I didn’t need to run a record label to try to help support random musicians, there were already thousands of those. I was well enough established in my career that I wasn’t going to learn anything earth shattering by building another website, so no purpose there. I honestly couldn’t think of any sort of reason to create anymore, or at the least, when I did create something I could no longer see any particular reason to share it with the world. That was how I came to realize that being a creative person had never actually been my core motivation. A need to be heard, to have my barbaric yawp echo throughout the world, had not been my driving motivation and once it came down to writing to be heard, singing to be heard, or creating art to be seen I found that I just didn’t care.

It wasn’t just that. I didn’t care about, well, anything really. Creativity was just the most (to me) surprising example. After losing my faith, my belief in God, my family, my friends, the record label I had been working on for over half of my life, my wife, all of that, I still had a kid to raise. I had a new wife. I starting making my own music, without Nuclear Gopher and The Lavone. I had a lot of learning to do. That wave of purpose got me through most of a decade but when I became an empty-nester I was confronted again with “WHY?” and I didn’t have an answer.

I am not a career person. I have never wanted to climb a corporate ladder, I don’t talk about work at parties. I have a relatively successful career that has lasted nearly 30 years but the part of me that does my job and the rest of me are barely on speaking terms. I put on a hat and I go to an office (or login to remote things) and I do a thing that I get compensated for but in terms of personal identity? I am not my job, I have no sense of self tied up in my career. I am good at it, but there is no purpose for me in the world of software engineering. That’s just a thing I know how to do that pays better than most of the other things I know how to do.

I am not expecting to become a rich and famous artist or celebrity. Pursuing music, writing, or (another passion) filmmaking as an alternate career to the software one, trying to make myself known as a creator and deriving an income from that, feels like a dream that passed me by a long time ago. I’m pushing 50. I’m balding. I’m not some basement hero, some Nuclear Gopher dreaming of Armageddon and trying to make a dent in the universe before 30, I’m a middle aged guy with a well earned dad bod and a long track record of putting out records and making videos and stuff that (until recently) very few people have paid any goddamn attention to. Tilting at that particular windmill without some additional motivation feels ridiculous, like buying a Ferrari or getting hair plugs.

If I lack cosmic purpose of the religious kind, if I am no longer actively parenting, if I do not realistically expect to “make it” in the creative world, if I am not really interested in corporate or financial pursuits, why put out a new record? Why write this blog post? Why do anything at all? OK, yes, I have people who depend on me; my wife, the people I work with, even my son. I have animals who depend on me too. Four dogs and two cats at current count. If I were suddenly taken away tomorrow, to paraphrase the great Keanu Reeves, the people who love me would miss me. Which is great, I don’t intend to devalue that, being accountable to and spending time with people that matter to you is insanely important but it doesn’t really help me know what I want to actually do with my time. I mean, I can completely stop being creative and still be with loved ones. Most people, it turns out, are fine with just BEING. I’m terrible at it. After the first three decades of my life spent thinking I was part of a cosmic melodrama I just get antsy when I don’t know why any one choice or direction is of more interest than any other. Purpose provides this. Where do I want to expend my efforts, my time, my money? This is the purpose of purpose. Having a purpose clarifies your decision making, gives you a sense of direction for your actions, helps you decide what you want to do next. Living without a purpose feels more aimless, directionless, rudderless, and ultimately a bit pointless.

Ultimately, my struggle to have a sense of purpose in my life has been the central struggle of the last decade for me, the long-haul XJW symptom I have found to be the stickiest, the most persistent. I know, intellectually, that people who were never in a cult also struggle with the ultimate meaninglessness of existence, it is not unique to me or to people like me, but if I had never had the sense that I was part of some universal plan maybe I wouldn’t feel it to be such a loss, such a gaping hole in my heart. In my private journaling I often wrestle with what has happened to me creatively. After all, barring a little 6-song EP that I recorded in a day in 2014 I haven’t fundamentally been able to even make a record since 2012, something I used to do at least once a year. My public facing writing is minimal, my private writing is mostly a lot of navel gazing. My days are packed with activities but very few are social. I wake up, write, do the Wordle and Spelling Bee, start my work day, 9-10 hours later I log off, maybe feed the dogs, help make dinner, run to the store, or take care of some sort of errands. I don’t call, don’t text, don’t go on social media much, don’t see friends, I keep my head down. I feel like I’m waiting for something to change. Waiting for an internal levee to break. Waiting to have a sense of “this is the way” and, in the meantime, I’m just taking care of business.

This, my friends, has been, for me, the true legacy of losing my faith. I have found myself in a state where I don’t believe in ambition, don’t believe in myself, don’t believe in much beyond survival most days. A state where it’s a good day if I just wake up, experience something, and go to sleep. But it’s also a state I am profoundly dissatisfied with. I want my purpose back. I want to have a reason to believe in myself, a reason to do things, a reason to put myself back out there. I’m taking some steps. I’m planning to put myself back out in the world (even if I am not sure exactly why) and I feel that it’s worth sharing these feelings with whoever might read this. I’ve been out of the Witnesses for 19 years. I’ve built a good life for myself. I have everything to be proud of and happy about. I have a wonderful son, a long-lasting marriage, a respectable and stable career, a home, pets who love me, friends, some cool old sports cars, guitars, amazing memories, but it’s still a struggle. I still feel like the point is elusive. Maybe this is just how it is for everybody. I don’t know. I am just going to have to stop waiting to feel purpose and start doing. Maybe I can at least find some satisfaction that way. Time will tell.

Back in September I posted a Long Overdue Album Update! and now here I am with another.

I have made a series of demo mixes of the album and done additional tracking since then, including hiring some session musicians to add some horn and string parts.  I’ve also mocked up some cover art to use for the demo mixes although actual final cover art is still TBD.  As you can see, I’m naming the album Capistrano, which also happens to be the proper name of the Very Good Boy gracing the cover.  His nicknames are Cappy or Cap but his full name is Capistrano and he informs me that this is the first time anybody has ever named an album after him.  Go figure.

As of the most recent demo mix, the album consists of eleven tracks and runs about 40 minutes but there are a few things in flux and it could potentially (re)gain a twelfth track by the time I get it out the door.  I hope to have all the tracking done by next week and then it will be time to get into mixing and then mastering.  I’ve already started laying down songs for the next album.  Nothing makes me more excited to make music than making music.  🙂

I can’t wait to share this with the world.  It’s been a long time coming…

When it comes to albums that have had a big influence on me musically, personally, emotionally, spiritually, intellectually, and in all other ways, it is hard to argue that any one album has been more influential than Brian Eno’s 1973 debut masterpiece, “Here Come The Warm Jets”. It’s a confounding, confusing, challenging, entertaining, absurd, sublime, surprising, dense, inscrutable, and completely unique musical statement. The title is a reference to peeing (and if you don’t believe me, just look at the playing card next to the pack of cigarettes in the cover photo), the songs have titles like Baby’s On Fire and Dead Finks Don’t Talk, it’s an album where every song sounds different and there seem to be no actual musical precedents for anything you hear and yet it’s all so clearly and consistently the product of one man’s mind, a coherent experience for the listener despite the lack of any obvious unifying principle beyond pure creativity.

God I love this record.

If all albums were like Here Come The Warm Jets there would be no musical genres because there would be no repeating formulas, just music sprawling all over the place.

The thing is, there are plenty of other albums with wild and unprecedented weirdness out there. (Trout Mask Replica? Metal Machine Music? The entire catalogs of Harry Partch and Sun Ra? The Lemon of Pink? I could go on…) but for my money the album that most represents the eclectic meeting the sublime in a way that is both bizarre and bizarrely moving above any other I’ve heard is this one. It’s not being weird for weird’s sake, not a bunch of stoned hippy nonsense, it’s not trying to offend or shock, it’s just the music from inside Eno’s head turned into sounds for the rest of us and Brian has a fascinating brain.

I don’t know how many times I’ve listened to Here Come The Warm Jets. Hundreds, definitely. I’m listening to it right now. I’m listening to the song Here Come The Warm Jets which ends the album Here Come The Warm Jets. It’s the part of the song where the drums start to fade in and the tempo is not the same as the guitars and synths we are listening to so the one track adjusts to fit the incoming track with the drums. It sounds like a mistake that wouldn’t be allowed in today’s world where recordings are almost always done to snap to gridlines in digital audio workstations, tempo perfectly matched, but it’s messy and beautiful and the song title is about peeing anyhow so, make a mess, why not?

Lyrically much of the album is goofy, some of it is oddly touching and profound, but all of it feels sincere. Nothing on this album feels like a pose but it all feels like a sort of flex. Eno is showing that he is a talent who should be much much much more than the keyboard player in Bryan Ferry’s band.

There are no bad tracks on the album. It’s better not even to think of it in terms of songs, it’s all or nothing for me. Listen to the whole thing, dammit. All this track selecting and playlist building shit is for the birds. When an artist works in the format of singles and you can collect their work in whatever random order you prefer, that’s fine, I too love a mix of great tunes, but some albums are ALBUMS and are intended to be experienced as such. Jets is one of those and if you just check out Baby’s On Fire for Robert Fripp’s legendary guitar solo or On Some Faraway Beach for it’s beauty, you will not give the album the opportunity to do it’s thing, so, my recommendation, don’t try. Just strap in, listen to it beginning to end, then do it again, and one more time. Minimum three listens if you’re new to it and wondering “what the hell did I just listen to” at the end of the first listen.

The first time I heard this record back in high school I almost immediately went out and recorded my first solo album, Renegade Creative. At least, that’s how I remember it. It is easily the most eclectic thing I ever made. I love it to this day and I have Brian Eno and his warm, golden, musical, jets to thank for the inpiration.

A photo of a black dog smiling in the sunshine

In 2014 I decided to start working on a new solo album with the working title The wolf is at the door / let’s invite him inside / it’s getting cold out there.  I thought I would probably complete the record in 2015 or 2016 because, unlike previous records such as Blood and Scotch/Valentine (2012) or Louder, Longer, Lobster (2007), I was not going to do the record as a one-month project but rather would take as much time as I needed to.  I had no idea that would be 8 years.

There are some pretty good reasons that this album has been a long time in development.  For one thing, I got involved in several other musical projects with other bands.  First I joined Robots From the Future, then Fistful of Datas, and finally my current band, Awkward Bodies.  I also sat in with several other bands.  Secondly, my life went through a number of personal and professional changes that had nothing to do with music.  There was also my involvement in the Witness Underground film. But, through it all, I have been writing and recording music.  A lot of music.  Too much music.

So here I am with an update.  FINALLY.  I am happy to report that the album is now entering the final stage.  There are only a few overdubs left but as of last night the track selection and order has been decided on, the release title and cover image for the album have been decided on, and I have a rough mix of the album and I’m very happy with the result.  My new album has a final shape and I am looking forward to sharing it with the world.  On vinyl.  🙂

More to come!

P. S. – I hope I will be able to complete my next album in a shorter period of time.  I’ll try.  Promise.